Play Along Piano

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Bach

Inventio 2 c Minor BWV 773

Bartók forever

2:20	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	6	6	100%
		25	0	4	6	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	6	6	100%
		25	0	4	6	93%

Bach - Arioso from Cantata BWV 156

Hyeon Kim

3:19	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	68	6	2	100%
	15	0	3	4	100%
Flute	18	0	5	9	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	68	6	2	100%
	15	0	3	4	100%
Flute	18	0	5	9	93%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1	18	0	6	7	100%
Violin	18	0	6	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1	18	0	6	7	100%
Violin	18	0	6	7	100%
Violin 2	18	0	5	6	97%
Contrabass	18	0	5	5	94%
Vcl/Continuo	18	0	5	5	94%
Viola	17	0	5	6	94%
Harpsichord	21	18	7	12	44%
	18	0	5	5	92%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Chorale Prelude: Komm, Gott, Schöpfer, heiliger Geist BWV 667 by J S Bach

ChurchOrganist

2:25	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

Aria from BWV 988

Bartók forever

2:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	3	8	100%
	22	0	4	7	72%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	3	8	100%
	22	0	4	7	72%
Klavier	16	1	3	13	100%
	22	0	4	10	72%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

J.S.Bach: Sarabande from Partita for solo violin №1 h-moll, BWV 1002. Arranged for guitar by A. Segovia.

Samael Dark

2:37	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		38	44	13	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		38	44	13	6	96%

Etude in C# Minor - Anthony Marotta

anthony73796

2:45	Est. Play Time
31	Measures
	1,078Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	56	4	8	81%
		30	37	4	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	56	4	8	81%
		30	37	4	6	100%

Ich steh mit einem Fuß im Grabe BWV 156

Black Dynamite IX

2:17	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	49	6	3	95%
	14	0	0	4	100%
Viola	18	0	5	7	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	49	6	3	95%
	14	0	0	4	100%
Viola	18	0	5	7	100%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	17	0	4	6	100%
	16	0	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	17	0	4	6	100%
	16	0	6	4	100%
Realization	16	46	5	7	100%
Tromba	11	0	1	5	100%
Viola	18	0	6	6	100%
Continuo	25	0	8	4	92%
Violoncello	25	0	8	4	92%
Alto	14	0	4	5	81%
Bass	16	0	4	4	81%
Soprano	11	0	1	4	81%
Tenor	15	0	5	6	81%

allemande A

stout79

3:11	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	4	7	100%
Clarinetto in La	21	0	5	7	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	4	7	100%
Clarinetto in La	21	5	7	92%
Fagotto	20	3	6	92%
Flauto	18	3	6	85%

J.S.Bach – Largo from the Harpsichord Concerto V – for Sax soprano

Aquarius-Ru

2:49	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	17	3	3	4	100%
Saxophone soprano	20	0	7	11	100%
Strings synth.	23	58	7	5	96%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	17	3	3	4	100%
Saxophone soprano	20	0	7	11	100%
Strings synth.	23	58	7	5	96%

J.S.Bach – Largo from The Harpsichord Concerto V – for Trumpet

Aquarius-Ru

2:38	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	15	0	3	4	100%
Cornet or Trumpet	20	0	7	10	100%
Strings synth.	20	52	6	5	96%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Guitar	15	0	3	4	100%
Cornet or Trumpet	20	0	7	10	100%
Strings synth.	20	52	6	5	96%

Bach - Arioso, for Flute, Cello, and Piano

Hyeon Kim

3:19	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	68	6	2	100%
	15	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	68	6	2	100%
	15	0	3	4	100%
Cello	15	0	3	2	93%
Flute	18	0	5	9	93%

march in e-flat major anh127

Massimo 73

2:20	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord, Klavier, rechte Hand		16	0	3	7	100%
		16	1	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord, Klavier, rechte Hand		16	0	3	7	100%
		16	1	2	3	100%

ARIOSO in C dur (BWV 156) J.S. Bach Violoncelle Solo

Jonathan Humphries

2:24	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		19	0	3	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		19	0	3	6	100%

BWV 21: Sinfonia in c minor

edward.maurath

3:02	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
Contrabasso Continuo	17	0	4	6	100%
Fagatto Continuo	19	0	4	6	100%
Oboe	18	0	8	10	100%
Organo Continuo	13	36	5	6	100%
Viola	11	0	3	7	100%
Violino 1	23	0	7	11	100%
Violino 2	11	0	2	6	100%
Violoncello Continuo	19	0	4	6	100%

J.S.Bach - ARIOSO in C dur BWV 156 - Violoncelle Solo

Jonathan Humphries

2:24	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		19	0	3	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		19	0	3	6	100%